Morbid? Yes. Sick? You bet. But ‘ghoul pools’--predicting celebrity deaths--are catching on.

While thousands of teary-eyed, tie-dyed fans were bewailing Jerry Garcia’s death, Gary Sherwin of Huntington Beach was congratulating himself for spotting the Grim Reaper over Garcia’s shoulder eight months ago.

It’s the same way Don Poole felt upon learning that beloved actress Jessica Tandy died last September.

While actor Hume Cronyn was mourning his wife of 52 years, Poole was patting himself on the back.

“It’s not like I could have prevented it,” says Poole, a 34-year-old advertising executive from Denver. “I certainly didn’t cause her death.”

No, but he did celebrate it in a strange fashion, as do pockets of people nationwide who take part in one of the most ghastly pastimes ever devised.

The parlor game goes by different names in different places, but “dead pools,” or “ghoul pools,” seem to be growing in popularity as this morbid millennium wanes.

They play it in Los Angeles, New York, Chicago, Seattle and Denver. They play it in Glen Arm, Md., and Audubon, Penn.

Writers, politicians, lawyers, librarians, psychologists, teachers, dentists, homemakers--all manner of people participate, and few sound repentant.

Rules vary slightly from pool to pool, but the grisly gist is generally the same:

On Jan. 1, each player makes a list of 10 famous people unlikely to last until Dec. 31. (To make it sporting, players often kick a few dollars into a jackpot, as with an office football pool.) At the end of the year, whoever’s got the most cadavers wins.

Most pools are discreet; some are deeply secretive. Commodities traders in Chicago are said to be underground players, while a small New York newspaper reported last year that employees of the Cigna Insurance Co. are closet “Deadheads.”

“Today, everything is fair game for humor,” Poole says. “I think it mirrors the culture, that not much of anything is taken seriously anymore.”

On the contrary, many pool players are intensely serious.

Webb Matthews, a Denver editor whose bumper crop of six corpses took first place in a nationwide pool last year, keeps meticulous celebrity necrologies, along with a tip sheet on who’s feeling under par.

In his personal death data base, Matthews notes the suddenly canceled concert, the bestowing of a Lifetime Achievement Award, the wracking cough.

“We’ve even got them broken down into several categories,” he says. “Bad Liver: Mantle, Nabors, Crosby. Guys Who Can’t Live Without Their Longtime Mates: Cronyn, Jimmy Stewart.”

After a successful 1994 in which he forecast caskets for Ezra Taft Benson, John Curry, Randy Shilts, Joseph Cotten, Burt Lancaster and Cab Calloway, Matthews says he is stuck this year with a roster of 90-year-olds who refuse to go.

Tasteless in the extreme, dead pools may do more than mirror a tasteless culture, sociologists say.

After years of deifying celebrities, society may be due for what Wall Streeters would call a “correction.”

“We want to give [celebrities] all this attention,” says USC professor Leo Braudy, author of “The Frenzy of Renown: Fame and Its History” (Oxford University Press, 1986). “But at the same time, we resent them for taking all this attention. This is the audience getting the power back.”

While there have been dead pools dating at least as far back as the 1920s, the time is ripe, experts say, for some irreverent rebellion against Hollywood’s monolithic myth-making machine.

“Any time a celebrity is brought low,” says C. Allen Haney, a University of Houston sociology professor who specializes in death and dying issues, “the common man can rejoice.”

Rejoice is something like what Los Angeles public relations executive David Dickstein did upon learning that Harriet Nelson, TV’s wholesome matriarch, had succumbed to congestive heart failure at her Laguna home in October.

More satisfaction followed with news that singer Cab Calloway--he of the cheery “Hi De Hi De Hi De Hi” mantra--had suffered a stroke and died in November.

In the months ahead, Dickstein will be closely watching the skin tones and public schedules of Mick Jagger, Adam Rich, Tiny Tim, Spiro Agnew, Sir Alec Guinness, Abe Vigoda, Gene Mauch, Jane Withers, Rose Marie and Red Buttons--”a darling man, and I hope he doesn’t, but I just have a vibe.”

Foretelling the demise of Calloway and Nelson gives Dickstein a slight edge against his sole pool opponent, the Garcia-guessing Sherwin.

Uniquely, the Dickstein-Sherwin pool doesn’t run annually, but in three-year cycles. Also, it’s a small affair, a competition between two highly competitive friends.

Quite often, Dickstein encounters someone who finds his death watch wretched.

“Many, many, many people, when they hear about this, have the idea that it’s sick,” he says. “But they’re also the first ones to call me when someone dies and say, ‘Was he on your list?’ ”

Vicarious curiosity about the pool runs so high that Dickstein and Sherwin fax updates--including bulletins of successful picks, or “hits”--to 50 people.

“We have a good fax list,” Dickstein boasts, “which includes many news directors, journalists across the U.S., city officials, corporate heads, and, of course, people who share our sick sense of humor.”

A similar publication keeps players of “the Game” abreast of recent crossings at the River Styx.

But the New York-based dead pool--in which three Californians are tied for first place--differs from most others in several key respects.

Believed to be among the biggest and oldest of the dead pools, the Game has steadily grown in its 25 years of existence to include 166 teams in 23 states and six countries.

Unlike most pools, which seek a simple body count, the Game prorates human death.

Picking a 90-year-old’s passing, for instance, earns a player one point. Predicting the death of an 80-year-old earns a player two points. A 70-year-old, three points. And so on.

Which means 53-year-old Jerry Garcia was worth five points to the 34 players of the Game who picked him this year.

The Game’s co-founder and spokesman--a Syracuse copywriter who insists on anonymity--says it was launched by a group of smart-alecky friends weaned on Cold War doom and gloom.

“We thought when we were in elementary school that the world was coming to an end,” says the man, whose code name in the Game is Ghostwriter. “They were going to drop the bomb on us. It was scary growing up.”

Vietnam then cemented the suspicion that death was stalking an entire generation. So founders of the Game decided to stalk death.

“The government was trying to kill us,” he says. “We were an irreverent bunch, we were in our early 20s, and, frankly, if this upset the people sending us off to die for real, we didn’t care.”

In the 25 years since the Game began, AIDS, cancer, drugs, earthquakes, gangs and a gaping hole in the ozone layer have only heightened player interest.

“I don’t think the Game is about celebrity,” he says wryly.

The Game also is not about money but the thrill of competition. To play for money, Ghostwriter says without irony, would be tacky.

To those who recoil at the notion of predicting death, Ghostwriter and others say simply: Get real.

Haney, the University of Houston sociologist, insists that everyone places a wager with death, sooner or later.

“With life insurance, you’re betting on the death of another,” he says.

But there are times, players concede, when dead pools lose their allure.

Tony Scheitinger, a Sports Illustrated employee who runs a nationwide pool out of New York City called Bet They Don’t Make It, says he briefly considered canceling his pool a few years ago when his father died.

The feeling quickly passed, however, and Scheitinger’s pool now includes 35 teams nationwide.

“My mother plays every year!” he boasts.

Ghostwriter had an experience similar to Scheitinger’s, and a similar response. When someone he loved was deathly ill, the man found himself sitting in a hospital emergency room and wondering about the wisdom of dead pools in general.

“I wasn’t angry with myself for having played,” he says. “I didn’t feel guilty. I just realized how totally insignificant it is.

“The reality of life and death is far more important than the Game.”