Moving to the Threadgill Beat

Saxophonist Threadgill excels at framing his edgy, often winsome alto play with riotous rhythms and unique orchestrations. Past recordings, notably those with his Very, Very Circus ensemble, have included dual tubas and guitars or multiple bassists, cellos, French horns and a variety of percussion. His quartet, Make a Move, takes a more minimal approach but is no less distinctive. Harmonic interest comes from the accordion of Tony Cedras coupled with Brandon Ross’ electric and classical guitar. The resulting faux-electric sound has a romantic, almost folk-like appeal that Threadgill sparks with disarming, frequently insightful play.

Despite the intense nature of the music, Threadgill makes it inviting with rhythmically accessible charts and Cedras’ warm support. Marches, shuffles and an opening tune with a decided European oom-pah-pah feel accelerate through multiple moods and moments of drama. Threadgill’s approach to his instrument, one every bit as personal as that of Ornette Coleman, brings serious weight to his improvisations, and the themes echo with unresolved dilemma and questions.

That a major label is releasing such challenging music is one of the few promising signs in the dark state of commercial jazz recording.

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Albums are rated on a scale of one star (poor) to four (excellent).