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Paris Hilton’s hip-hop connection: She can hustle

Paris Hilton during the Cannes Film Festival.
(Todd Williamson / Invision)
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On its surface, the arithmetic is baffling. Paris Hilton plus Cash Money Records equals … sweet, sweet music?

The jury is still out on whether the former “Simple Life” star’s record deal and current EDM-accented musical direction will yield a bonanza of Top 40 hits à la label mates Lil Wayne and Nicki Minaj. But for Paris completists, Hilton’s alignment with hip-hop’s imprint du jour appears to be a textbook move.

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As far back as 2006, the professional party girl was claiming fealty to hip-hop’s “from the streets to the penthouse” ethos and contextualizing her achievements as an entrepreneur (with a lucrative perfume line, endorsement of champagne in a can and signature nightclub chain) like some kind of blond bombshell version of Jay-Z.

“I’ve worked my ass off. I have done things no heiress has,” Hilton told your humble Pop & Hiss correspondent that year. “I’ve done it all on my own like a hustler.”

After all, she enlisted hardcore New York MCs Jadakiss and Fat Joe to guest on her ’06 club banger “Fighting Over Me.” And Oscar-winning Three 6 Mafia member Juicy J lent his services as a writer-producer to Hilton’s debut album “Paris” on Warner Bros. Records.

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Lest anyone fail to grasp her connection to urban music, the socialite laid out her identification with rap stars’ empire-building drive and self-created mythologies. Never mind the fact that Hilton is set to inherit a reported $30-million fortune and that her empire was built before she breathed a single note into a microphone.

“I love hip-hop. I grew up listening to Dr. Dre,” Hilton said. “With the hip-hop world, they came from nothing, from the streets. I respect their turning into these huge stars with huge mansions all on their own.”

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Given her recent remarks to the media that unlike “Paris,” the music on her sophomore album will be “electropop music,” the question must be asked: Why sign with Cash Money instead of a more dance-oriented label like, say, Boyznoize or Astralwerks?

In a word: freedom. “I want to let her do what she wants to do,” Cash Money co-founder Bryan “Birdman” Williams told Pop & Hiss. “We’re going to support it.”

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Twitter: @__chrislee

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