Surrender is certain with Barney in the arsenal
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It was nearly five years ago, but the mere mention of her tormentor
brought back vivid memories. Those words. That tune. That big purple
dinosaur brought Deb Zimmerman many sleepless nights.
“I love you, you love me, we’re a happy family ... “ the lyrics to
the theme song for the popular children’s show Barney & Friends
replayed in her head. Zimmerman subconsciously swayed her head back
and forth and started muttering the infamous words -- then snapped
out of it.
“I vividly remember when my oldest was 2 and my second was a
newborn,” the Costa Mesa mother said. “I would be up in the middle of
the night, with that Barney song on. I would be stuck with that song
in my head when I went back to bed. It was like a tape recorder
playing over and over and over again. Believe me, it was driving me
crazy at the time because I wanted to sleep.”
Apparently, the psychological effects of ultra-simple lyrics, sung
in repetitive fashion by a large, brightly-colored dinosaur -- who
sounds as though he has a permanent head cold -- are dreadful. United
States military officials have reportedly used various Barney tunes,
along with other children’s songs, to crack Iraqi prisoners of war.
Zimmerman should get a purple heart for her contact with the
purple dinosaur.
“I love you, you love me ... .” It’s going to be stuck in your
head all day.
Parents and caretakers interviewed at Mariner’s Park Tuesday were
all familiar with at least one Barney tune and almost all of them had
faced repeated exposure to such cruelty. Most laughed at the thought
of a big purple dinosaur being used as a tool of war, but agreed it
would be effective.
“Hearing that is pretty good torture,” said nanny Shelly Kolo. “I
usually flip over half way through the episode.”
Iraqi informants have reportedly been inundated with these catchy
little tunes 24-hours a day, seven days a week until they spill the
beans. Reports did not specify the exact songs used to break the
prisoners, but Barney favorites include such hits as, “Up is up and
down is down,” “The idea song,” and the ever-popular, “I put a smile
on.”
Big Bird songs have also been part of the reported arsenal.
At this rate, Raffi could be considered a weapon of mass
destruction.
Those at Mariners Park said they could handle about 20 minutes
before flipping their lid.
Jennifer Mauser, mother of a 1-year-old boy, said her son loves
Barney and the Teletubbies -- all the “annoying ones.”
“If he hears it, he’ll run right in the room,” said Mauser, who
watches the programs with her son because he likes to cuddle. “I can
usually do about 20 minutes, which is really good for me. It’s
usually about all he can handle too.”
Ray Alstadt said he had enough of the purple dinosaur while
baby-sitting nieces and nephews to know better than to introduce it
to his daughter.
“I was burnt out on Barney before Megan was even born,” Alstadt
said.
Everybody now! “I love you, you love me ... .”
The first part of the song may be true but it doesn’t seem that
kind of dino-love is shared by many adults. Costa Mesa mother Shannon
Schofield said the oversized reptile was banned from her house before
her son got a chance to get hooked.
“I never allowed that in my house because of that song,” Schofield
said. “At least they found a good use for it.”
Newport Beach baby-sitter Jill Anderson said it takes a lot more
than Barney to crack her psyche. Anderson takes care of four
children, from 8 months to 6-years-old and said the songs simply
blend into the background.
“I’ve been exposed to it a lot -- a lot -- and I don’t think it’s
torture,” she said. “Whatever keeps them occupied.
The resilient caretaker even had suggestions for other songs that
might help the U.S. find out pertinent information. Anderson
suggested “Skidamarink” -- you know, the song that goes, “Skidamarink
a dink a dink, skidamarink a doo, I love you [echo].”
“‘It’s a small world’ would probably do it too,” Anderson said.
* LOLITA HARPER writes columns Mondays, Wednesdays and Fridays and
covers culture and the arts. She may be reached at (949) 574-4275 or
by e-mail at lolita.harper@latimes.com.
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