‘Magdalene’ and ‘Thirteen’ show depth from the indies
JOHN DEPKO
‘Thirteen’ is a real and convincing slice of teenage life
Absolutely compelling and disturbing, “Thirteen” is a painfully
realistic portrayal of the pressures and choices faced by teenage
girls in urban America. This film is so honest and unnerving that it
will make any parent gasp with alarm at the horrific situations that
are exposed to our most vulnerable adolescent girls because of our
hyper sexualized pop culture. The intense desire to be popular brings
drugs, sex, rock ‘n’ roll and shoplifting into play at ever-earlier
ages.
Nikki Reed is outstanding as one of the teenage stars whose real
life experiences form the basis for the screenplay of this virtual
documentary. She is hooked up with fellow teen Evan Rachel Wood whose
transformation from a seventh-grade innocent into a drug-using femme
fatale occurs in the space of a single semester at middle school. Her
decline into darkness is so rapid that even her street-wise mom
doesn’t pick up on what’s happening until it’s too late.
Their Oscar-quality performances are joined by the dazzling
portrayal of Holly Hunter as the hard working hairdresser and single
mom who strives to keep sanity alive in a household heading to
oblivion. Her unconditional love for her daughter is both part of the
problem and part of the solution to their predicament. The fantastic
camera work and soundtrack add to the realism of what is portrayed on
screen, and keeps you riveted in your seat.
As a county employee who has spent several years working in
Juvenile Court, I can heartily attest to the stunning reality of this
story. I have seen its premise played out in real life many times in
all-too-similar scenarios. This film should be mandatory viewing for
every parent of a teenager in Orange County. It’s no wonder that
Catherine Hardwicke won best director at the Sundance Film Festival
for this film. It’s the real deal -- hard to watch, but worthy of
serious attention by the Academy.
* JOHN DEPKO is a Costa Mesa resident and a senior investigator
for the Orange County public defender’s office.
‘Magdalene’ is a poetic exploration
Although I heard rave reviews about “The Magdalene Sisters” last
month, I had somehow procrastinated seeing the movie (something about
nuns and Laundromats just couldn’t compel me off my rocker). But when
one of my close friends recommended the film (and kept filling up my
e-mail inbox in order for me to see it), I decided enough was enough.
I’m actually irate that a movie this powerful and captivating
isn’t playing in more locations (i.e. Costa Mesa). Laundry and nuns
are only the tip of the iceberg, as this movie is really about the
true lives of four young ladies brought to a boarding home for
supposedly being whores.
The film begins with a short background into what brings these
young ladies to their miserable new home, run by a group of wickedly
cruel and sadistic nuns. Each girl has her own sad story, but they
learn to abandon their pity upon meeting Sister Bridget (Geraldine
McEwan), who is hands down the summer’s best villain (despite the
rosary around her neck).
While each girl’s battle to survive inside Magdalene is poetically
explored, audiences will find it impossible to forget the quirky
girl, Crispina -- played by Eileen Walsh, whose magnificent
performance penetrates your soul. To see her pain through the eyes of
another girl is not only gripping but highly effective. If you didn’t
cry when you saw the price of the theater’s nighttime admission,
you’ll likely shed a few tears for this seemingly simple but complex
character.
You might find the true story of these young ladies’ lives inside
Ireland’s Magdalene Laundries during the 1960s somewhere on the
Internet, but it should hardly compare to watching this film inside a
crowded theater. This is definitely the type of film where the
destination is not as important as the journey itself. And as a
moviegoer, the journey into these girls’ painful lives doesn’t get
much better than this.
Grade: A
* ANDREW NGUYEN, a freelance writer and political activist,
resides in Costa Mesa.
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