Shows are delight for the eyes

“Not to be shocking means to agree to be furniture.”

Scrawled in an upper corner of an Orange County Museum of Art hallway, the phrase suits the times, as three new art shows bring the scandalous, the avant-garde and the satirical to Orange County.

The Laguna Art Museum has just debuted “In the Land of Retinal Delights: The Juxtapoz Factor,” which presents the work of 150 artists who have been involved with “Juxtapoz” magazine since its founding, back in 1994.

Now the most widely ready art magazine in the country, the publication features everything from lowbrow art to Kustum Kulture.

The exhibit includes black velvet paintings, sculptures, cast resin figures, digital prints and mixed media.

Curator Meg Linton took the museum’s original premise that the show would feature about 50 artists and began researching the artists featured in the magazine.

She found that several hundred artists have contributed to it since its naissance.

“Once I really dove into the magazine, I realized the show needed to feature a lot more artists,” she said.

She then began a rapid process of requesting works new and old for the exhibition; the most recent piece was just finished in time for the show.

Todd Schorr’s “Ape Worship” is a large piece surrounded by an equally imposing frame.

The museum previously had planned to show one of Schorr’s older paintings from a private collection when he offered his newest work.

“I was so excited,” Linton said. “It was quite a coup to be able to get that from him.”

Other selections include much earlier pieces, such as a 1916 bronze by Stanislav Szukalski.

“It turned out to be a great show with a lot of amazing work,” museum Director Bolton Colburn said.

Other artists include Takashi Murakami, Gary Baseman, Shag, Tim Biskup and Sandow Birk.

“Juxtapoz” has indoctrinated legions of new art students to study at art schools around the country.

Colburn himself began discussing the influence California had on art compared to the rest of the country — for example, through its surf and car cultures — back in the late 1980s, he said.

By then, a yet-unnamed movement was churning, which culminated to a degree in the museum’s 1993 exhibition on the automotive Kustum Kulture movement.

“We paid a tremendous contribution,” Colburn said, in bringing recognition to the burgeoning aesthetic.

Since then, several of the museum’s shows have cemented its importance; other museums have also chosen to exhibit the underground art, but Laguna Art Museum remains among the first.

“They’ve really been kind of at the forefront of this,” Linton said.

Satirical reverence

The Orange County Museum of Art has launched a major new retrospective of the works of Peter Saul, compiled from the past several decades.

Saul is a controversial pioneer of pop art whose works were called “sick jokes” by Robert Storr, the curator and dean of the Yale School of Art.

“Saul’s ongoing lack of official recognition is probably the most strikingly disproportionate to his large and growing influence on younger artists today,” guest curator Dan Cameron said.

Saul’s depictions of peculiar iceboxes, Superman and Donald Duck join more recent works depicting President George Bush, O.J. Simpson and Saddam Hussein.

His iconic brain paintings take up an entire section of the exhibition.

Born in 1934 in San Francisco, Saul was a merchant seaman before attending Stanford and other art schools.

His satirical works comment on the glossing over of negative moments in American history to the pomposity of the art world of which he is a reluctant member.

“Rambunctious, wildly imaginative, yet oddly moralistic, his paintings are psychedelic tent revivals in which demons are exorcised, hypocrisies unmasked, and the grand themes of history and culture reduced to their often violent and narcissistic core,” museum director Dennis Szakacs said.

The exhibition will travel to Philadelphia this fall.

Sprawling ideas

At the Huntington Beach Art Center, artists Kiel Johnson, Lucrecia Troncoso and P. Williams used everyday materials to create their personal versions of urban sprawl and utopia.

Sponges, cardboard and paper became a survival vest, a neon green tree and a mini city, complete with airplanes, cars and freeway overpasses.

They’ll open their show Friday night with an opening reception featuring performance art at 8 p.m. sharp.

Laguna Art Museum

WHAT: “In the Land of Retinal Delights: The Juxtapoz Factor”

WHEN: 11 a.m. to 5 p.m. daily; open until 9 p.m. July 3; show closes Oct. 5

WHERE: 307 Cliff Drive, Laguna Beach

COST: $10 general; $8 seniors, students, and active duty military and dependents; children 12 and younger free

INFORMATION: (949) 494-8971 or lagunaartmuseum.org

Orange County Museum of Art

WHAT: “Peter Saul”

WHEN: 11 a.m. to 5 p.m. Wednesday to Sunday. Open until 8 p.m. Thursday; show closes Sept. 21

WHERE: 850 San Clemente Drive, Newport Beach

COST: Adults $10; students and seniors $8; children younger than 12 and members free

INFORMATION: (949) 759-1122 or ocma.net

Adults $10

Huntington Beach Art Center

WHAT: “Ground Us”

WHEN: Noon to 6 p.m. Wednesday to Saturday; noon to 4 p.m. Sunday; show opens Friday and closes Aug. 31

WHERE: 538 Main St., Huntington Beach

COST: free admission

INFORMATION: (714) 374-1650 or surfcity-hb.org

CANDICE BAKER can be reached at (949) 494-5480 or at candice.baker@latimes.com.